Drama Desk and Obie Award-Winning
Announces Cast for
1996 Drama Critics’ Circle Award Winner
by Brian Friel
Directed by Jonathan Silverstein
Paul O’Brien, Pamela Sabaugh, and Tommy Schrider to Star
Limited Engagement Begins October 8th
Tickets On Sale Now!
Keen Company Artistic Director Jonathan Silverstein today announced the cast for the first play of the new season, Keen’s 20th: Paul O’Brien, Pamela Sabaugh and Tommy Schrider will star in Brian Friel’s Molly Sweeney directed by Mr. Silverstein.
“Molly Sweeney’s resonate meditation on sight and dreams has captivated me since I first read it over twenty years ago and I am thrilled to begin rehearsals with this terrific cast and creative team. Pamela is a wonderful actor, and her experience as a person with low vision has already illuminated the text for me in new ways. Paul and Tommy are both inspired actors who I have wanted to work with for quite some time. Keen is working with consultant George Ashiotis (former co-Artistic Director, Theatre by the Blind) and partnering with blind and low vision schools and organizations to make Molly Sweeney accessible to the blind and low vision audience, including offering touch tours and audio described performances. We hope to create a welcoming space for conversation about choice, representation, and connection,” said Silverstein.
Performances for the limited Off-Broadway engagement of Molly Sweeney will begin Tuesday, October 8th, and continue through November 16th only, with opening night set for Wednesday October 23rd. The design team includes Steven Kemp (scenic), Jennifer Paar (costume), Anshuman Bhatia (lighting), and Fan Zhang (sound). Casting is by Judy Bowman CSA. Amanda Quaid will serve as Dialect Coach.
Having lost her sight at infancy, Molly Sweeney (played by Pamela Sabaugh) knows the world through touch, sound, taste, and smell. When her hopeful husband (Tommy Schrider) and ambitious doctor (Paul O’Brien) propose an operation to restore her sight, Molly and those around her begin to understand that things may not all be as they appear. Brian Friel, Ireland’s master storyteller (Dancing at Lughnasa, Faith Healer, Translations) creates a riveting contemporary drama about the unexpected consequences of a medical miracle. “Molly Sweeney is an astonishing work… A deeply moving meditation on hope, change and despair” declared The New York Times.
From one of Ireland’s best living playwrights, this striking piece of dramatic writing is a daring piece of theater. Keeping the play’s three characters on stage at all times to speak directly to the audience, Brian Friel presents three points of view to the same intriguing tale. Each of their voices interweaves, threading in and out with details, spinning a lush and sensate narrative, and carrying us effortlessly to an unexpected and poignant conclusion. Deceptively simple, yet richly multilayered—combining both an insightful story about the way we perceive our existence with an allegory for our times — Molly Sweeney is an Irish storyteller’s art to create an unforgettable theater piece, painting scenery and rousing emotions with nothing more than the simple purity of beautifully rendered words.
Writing in The New York Times, longtime critic Vincent Canby said “Brian Friel has been recognized as Ireland's greatest living playwright almost since the first production of Philadelphia, Here I Come! in Dublin in 1964. In succeeding years, he has dazzled us with plays that speak in a language of unequaled poetic beauty and intensity. Such dramas as Translations, Dancing at Lughnasa and Wonderful Tennessee, among others, have given him a privileged place in our theater.
Paul O’Brien’s Broadway credits include Six Degrees of Separation, On a Clear Day, The Importance of Being Ernest, Equus, Cymbeline, Democracy, King Lear (with Christopher Plummer), The Crucible (with Liam Neeson), and Twelfth Night. Off-Broadway: The Mountains Look Different, Is Life Worth Living (Mint Theater), The Weir, DA, Burial at Thebes, Man and Superman (Irish Rep), Hamlet (with Michael Stuhlbarg at NYSF), Death Defying Acts (Variety Arts), The Seagull (Second Stage), Three Birds Alighting on A Field (Manhattan Theater Club), Widow’s Blind Date (Circle in the Square), A Moon for the Misbegotten, Widowers’ Houses (Pearl Theater). Regional: Major Barbara, Mrs. Warren’s Profession, Playboy of the Western World (Guthrie), Anything Goes, Romeo and Juliet (Williamstown), All My Sons (Playmakers Rep), Cripple of Inishmaan (Geffen), Lonesome West (South Coast Rep), Act a Lady (Actors Theater of Louisville), Touch of the Poet (Long Wharf), Chemistry of Change (Trinity Rep), Long Day’s Journey into Night (Gloucester Stage) Film: Shirley; Hail, Caesar; The Boy Downstairs; Manhattan Romance, Fairhaven, Henry’s Crime, Redacted, Devil’s Own, What’s the Worst That Could Happen? TV: “Search Party,” “Dangerous Book for Boys,” “Elementary,” “Forever,” “House of Cards,” Person of Interest, Sopranos, The Practice, Providence, “ER,” “Star Trek Voyager,” “A Case of Deadly Force,” “Angel,” “One Life to Live.”
Pamela Sabaugh most recently performed for the United Nations in Geneva Switzerland with Theater Breaking Through Barriers where she is a long time company member. Some favorite TBTB Off-Broadway credits include Gurney’s The Fourth Wall, The Cocktail Hour; Sam Hunter’s The Healing; Bruce Graham’s According to Goldman; Shakespeare’s Hamlet, The Merchant of Venice. Other stage credits include Brooklyn Academy of Music, PS 122, The Shakespeare Theatre of New Jersey, The Adrienne, Court Theatre of Chicago, Hilberry Theatre Detroit. Film: Lefty & Loosey, Goldberg P.I., One Angry Man, The InBetween. TV: “Guiding Light,” “One Life to Live,” ABC’s “What Would You Do.” Pamela is a recipient of the Princess Grace Award for Acting and Fringe NYC’s Outstanding Performance Award, and she continues to perform her critically acclaimed solo rock musical, Immaculate Degeneration, to audiences both at home and abroad.
Tommy Schrider most recently appeared in The White Devil (Lucille Lortel/Red Bull) and the interactive multimedia rock opera The Infinite Hotel (PROTOTYPE Festival/Irondale). Other NYC credits include War Horse (Broadway) and shows at Theatre for a New Audience, Ensemble Studio Theatre, Classic Stage Company, Ripe Time, Rattlestick Theater, Irish Rep, NYTW, BAM, The Flea. Regional credits include Yale Rep, South Coast Rep, Berkshire Theatre Festival, Huntington Theatre Company, Westport Country Playhouse, Cincinnati Playhouse, Williamstown, Philadelphia Theatre Company, Actors Theatre of Louisville, Syracuse Stage among others. International: Andrews Lane, Dublin. Film & TV credits include “The Americans” (recurring), “Blacklist,” “The Enemy Within,” “Elementary,” “The Good Fight,” “Person of Interest,” “Medium,” “Numb3rs,” and “Law & Order.” Tommy also teaches in the BFA Acting program at Montclair State University. Recipient of the 2017 New Dramatists Charles Bowdan Acting Award. MFA: NYU
Keen Company creates theater that provokes identification, reflection, and emotional connection. In intimate productions of plays and musicals, we tell wholehearted stories about people striving to do their best and the decisive moments that change us. Keen has been honored with eleven Drama Desk nominations, two Drama Desk Awards, two Drama League nominations, and two Obie Awards.
All performances will be at Theatre Row (410 West 42nd Street, between 9th and 10th Avenues) and will be Tuesday through Thursday evenings at 7pm; Fridays at 8pm; Saturdays at 2pm & 8pm; and Sunday matinees at 3pm. Regular tickets are $65 with premium tickets available for $80. All tickets for every Tuesday performance are just $28, no code needed. (Ticket prices include restoration fees.)
Later this season, Keen will present the limited Off-Broadway engagement of Blues for an Alabama Sky, beginning Tuesday February 4th. Performances will continue through Saturday March 14th only, with opening night set for Wednesday February 18th. Cast and design team will be announced shortly.
A subscription package for both shows of the season is only $100 which includes unlimited exchange privileges, invitations to Keen Company readings, and admission to Keen Teens Festival of New Work! Save over 35% off full ticket price (a $160.00 value). Subscribers also get free invitations to Keen’s Play Club discussion series, discounts on the purchase of Keen’s cast recordings of Keen’s productions of Marry Me a Little and John & Jen, as well as advance notice and discounted tickets to The Playwrights Lab Series, and Keen Company’s Annual Gala. Subscriptions are on sale now! Keen patrons 30 or under see both shows for just $25 each with a KEENConnect Subscription at only $50. That's all the perks of a regular subscription for the price of a rush ticket! Save over 65% off the full ticket price! (Please note, a valid government issued ID must be presented at the box office). Visit keencompany.org/subscribe for more info.
To purchase single tickets to Molly Sweeney and Blues for an Alabama Sky, visit the Theatre Row Box Office (410 West 42nd Street, between 9th and 10th Avenues), order online at Telecharge.com, or order by phone at 212-239-6200.
For more information, visit KeenCompany.org.